Get all 299 OPAL releases available on Bandcamp and save 70%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Transcend, Throw-Up Concrète, Rabih, Suffocating Repetition, Land of Hidden Variables, A Known Absence, Body Double, Cychotic, and 291 more.
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Intro / Only Input
02:09
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Concrete Blue
02:25
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Last
01:52
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Os_ag
02:52
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Untitled Forever
02:43
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Terraforma (feat. D HAM)
02:23
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Chop Aretuso
00:52
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Vid To MP3 / Outro
00:58
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OPAL
ANY ITEMS LOST, DAMAGED OR STOLEN WHILE IN TRANSIT CANNOT BE ACCOUNTED FOR BY THE LABEL .
ALL ITEMS ARE SENT BY SURFACE ECONOMY MAIL INTERNATIONALLY AND BY ROYAL MAIL IN THE UK.
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supported by 8 fans who also own “Throw-Up Concrète”
A primal call, the heartbeat of desert
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supported by 7 fans who also own “Throw-Up Concrète”
When Mr. Broadrick takes it easy and slows down the pace his raw industrially Dub tinged sound and deep basses gives me an eargasm and i just have to do my shopping. This is a 12" that i would love to hear played loud on a very big soundsystem. Highly recommended.
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supported by 7 fans who also own “Throw-Up Concrète”
Banger after banger on this one. Crank the volume, and ensure you have some solid subs going. I'd buy this on vinyl in a heartbeat.
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Spot of the Foul (total mass retain)
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Industrial music in the truest sense of the word, the latest from Tim Olive pairs factory-like drone with glitched-out computer sounds.
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The enigmatic punk-rap duo of Justin Pearson (The Locust, Swing Kids) and hip-hop producer Luke Henshaw make their long-awaited return.
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Fractured Whole
by Cruel Diagonals
Every sound here is made using Megan Mitchell's voice, even though the music often sounds more like Earth’s vibrations than a human singing.
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believe anything, believe everything
by EXIT ELECTRONICS
supported by 7 fans who also own “Throw-Up Concrète”
As one of Justin's quadrillion music projects (It's a REAL number, people. Look it up...LOL!), EE defines, redefines, and re-redefines by blurring then obliterating those lines between bass music, dub, hard industrial, noise/power electronics, and hard techno. Hyperbole aside, his (Justin's) output for EE is the masterclass of how all these styles coalesce into a 'sonic singularity' that few, if any can create, duplicate, and replicate.
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